There are so many questions when one moves to France. Will it be hard to learn the language? How should I dress? And, most urgently, how will I not “wear” all those pastries and calories, never having been raised on French cuisine? I can’t be the first one to obsess over these things, right?

Ah, the walnut tart - that quietly confident dessert that needs neither hot custard nor sticky jam to make its entrance. Born in the hills and valleys of southwest France, it’s what happens when fistfulls of rural walnuts meet a good curl of butter, a wide ribbon of cream and a decent crackle of sugar. No drama, no tiers, no soufflé to collapse — just a golden crust holding everything in perfect balance.

Let’s start with the obvious: the French eat. With butter, with wine, with joy. Meanwhile, across the channel or indeed the big pond, we seem to eat with an undercurrent of apology. We talk about “being good” when we skip dessert, or “cheating” when we don’t — as if a pastry were a moral failing. Somewhere between the calorie counter and the confession booth, food stopped being nourishment and became a referendum on self-control, by which we often judge ourselves unkindly...

Self-talk is not something to be taken lightly. Saying things like “I can’t carry a tune, I’m tone deaf.” whilst it can be an expression of mock humility maybe it is true... for now. How do you know? What if saying this is why you haven't become better? Sing because you love to. If all people thought they had to be perfect in order to love something or try something, we'd all be sunk. What I wanted to say has nothing to do with singing, or maybe it has everything to do with

The word sabotage is a genuine “drama picture”. It can conjure machines grinding noisily to a halt, partisans blowing up railway lines, or each of us inexplicably wrecking our own best chances.. It feels shivering, cinematic and rebellious. But sabotage has much humbler roots, in the clatter of a wooden shoe…

Platform 13 CEO Vanessa Grant sits down with the a local artisan who shares her story of creativity and community. In a sun-washed workshop on Rue Notre-Dame, in the beautiful bastide village of Monpazier, jewellery designer and maker Claire Lamouroux shapes stories from natural materials. Her boutique, Semilla (“seed” in Spanish), is shared with her partner Jean-Luc Pigeat — together they create wonderful, original jewelley pieces that feel both ancient and utterly present.

Our Brave Seeds "Women of Note" posts were originally conceived around a focus on the women who shape our regional community - social and entrepeneurial movers and shakers, whose gifts of giving back are, well... noteworthy.

I love almost everything that is old. Old books, old times, old manners. One of the few enviable advantages of being British lies not only in how we have managed to preserve old things, but in how we continue to delight in them. We don’t simply store the past; we keep it in circulation, like a favourite chair, endlessly sat in.

There was a time when a social visit began not with a text message or a hopeful knock, but with a small, stiff rectangle. The calling card was both introduction and safeguard — a way to say, “I was here,” without barging into someone’s day. It was etiquette in miniature, a pocket-sized handshake.

“Travel whispers to the soul’s boldness. It asks not for the absence of fear, but the courage to lead into the unknown, to embrace both the journey and the self that is discovered along the way”.                      Attributed to Mark Twain                       Every step beyond what is familiar is an invitation to growth. We do not travel to coll

October in the Dordogne is quieter now. The fields are slowing, the walnuts gathered, the vines picked clean. But for bees, it’s still very much office hours. The hum in the hives may have softened, but inside, a busy workforce is still clocking in.

September is a bit of a hinge month, a threshold that resists placement in the pigeon hole. It is neither the lingering ease of summer, nor the crisp certainty of autumn. It hovers in a space of its own — a pause in the rhythm of the year, a seasonal ellipsis. Spiritually, September invites us inward. The sun still warms our skin, but the evenings hint at a chill that asks for sweaters and thoughts of firewood come. This duality reminds us that change is rarely abrupt; it is

Platform 13 CEO Vanessa Grant on Soul, Strength and the Sacred Feminine. Sitting in sacred silence There are words that carry weight far beyond their syllables: soul, strength, sacred.  Each speaks to something elemental, a truth we sense in our bones even when we struggle to name it. When combined, they sketch a portrait of the feminine at its deepest level — not as a role or a set of expectations, but as a source of power rooted in authenticity. At Platform 13, we believe s

September - the season of the humble plum. All across South-West France, markets are filled to the gunwhales with baskets and boxes of them — deep purple, mustard yellow, something red. Their skins, that always look like they could do with a dust and a polish, cover that flesh that we covet. .. sweet, tangy, and the stuff of unavoidable dribbling. They're not around for long, and you can sense the hurry in everyone not only in getting them to market, but also carting them h

October is the opal month of the year. It is the month of glory, of ripeness — and of walnuts. It's a grand month in France, is October. The days are still and temperatures kind. It's good market weathr land walnuts are everywhere. Craggy little treasures, it feels so good to plunge your hand into a sack of them just for a grin.I am not sure which nut wears the kingly crown, as they could all make a pretty good case, but the walnut could easily be annointed. They have that re

Croydon Airport, Southern England, 1923. Aviation was still pretty new, with planes made mostly out of plywood and canvas. Crossing the channel could be done from the deck of a luxury liner, or for a daring few, in a propeller-driven tent, with 2 leather seats and a sense of direction. The pilots were just mechanics with benefits, but they had an understanding and a kinship with their craft. Radios crackling, announcing Ginger was trying to get in touch with Biffo, navigating

If Fridays had faces, it would be the mug shot of a pair of donkeys. Unhurried, not bothered, standing in the most shetered part of a wet meadow, the very picture of end-of-the-week sufficiency. The error we make, according to most donkeys, is in seeing these sweet and gentle creatures as slightly under-evolved horses. It is a subject of both slight resentment and constant discussion in all places where donkeys gather. They readily admit they lack the sleek flanks and polishe

Perhaps the greatest barrier to worthwhile communication is that we no longer listen to understand. We listen only to reply. Our ears twitch, our tongues prepare their retorts, and before the sentence has even ended, we are already halfway into our counterpoint. What passes for dialogue is often little more than a polite duel to get one’s point across and be heard. But what if listening was something else? If we approached each other’s words with kinder curiosity, the intent

Vineyards are surely the most civilised of our ancient cultivations. Humanity seems to have evolved liking its plants arranged in tidy rows, but while carrots and corn stand tall and straight, like obedient soldiers, vines have a rebellious elegance that cannot be stood to attention. They lean and twist with weary dignity, brothers in arms, performing more important work.

On a rainy day last November, the humble baguette was acknowledged and enshrined forever by UNESCO as “a thing of exceptional interest for the common heritage of mankind.”